Wednesday, December 16, 2015

Christmas Poinsettias

I haven't posted here in HOW LONG?

I've been getting into glass fusing. Last year, I made snowflake ornaments with pictures of family members on the points of the flakes.  It cam out very nicely. This year, it's poinsettia bowls.

I picked up the Creative Paradise Poinsettia Texture Mold (11.25-inches) and the Bullseye Classic Bowl mold (12.5-inches) off the web along with all the Bullseye frit and Tekta I would need for the project.  The problem is, I don't have a teacher and have to suffer accordingly.


My initial firings went badly.  I made a few critical errors all at once.  The photo to the left is one of two platters that had large eruptions.

1) Need more frit: The center of the mold is clear.  I didn't put any frit there.  So a big bubble formed.

2) On poor footing: I put the kiln furniture "feet" well inside the perimeter of the texture plate.  This alters both temperature and convection.  The photo at the top of this post shows better placement.

3) Poor fundamentals: I ramped too fast and squeezed in the wrong places.  My schedule didn't account a nice long bubble squeeze.  With so much frit and so many locations to trap air, you can't hurry this pattern.

4) Need MORE frit:  My third firing of the pattern produced a nice plate.  No eruptions.  My fourth firing (seen above) had three large eruptions.  I was being VERY exacting in my placement of frit.  Every section got frit and I kept them well separated.  Bad idea.


 The key is to use the scraps from your circular caps to make frit.  I got an Anraku frit maker and screens to create and sort frit.  I used two 12-inch square 3mm Tekta glass to make the 11-inch disks.  This meant plenty of scrap glass left over for frit.

I filled the areas of the mold with the colors I wanted (and clear in the center), same as before.  Then I followed up with clear frit on all exposed dividing lines between the colored areas.  I didn't want the cap glass disks to settle on any area of the mold.  Let the bubble squeeze step work its magic without any interference.

This is an on-edge photo of the design showing just how much frit I'm using.

Once I got a good firing, I cleaned the plate and readied it for slumping.

 Another plate prepared and ready to fire.


 The bowls (so far):

I hope to complete 4 more bowls before Christmas.  The first three bowls were wrapped in bubble wrap until I couldn't feel the edges, placed in boxes, and the boxes were wrapped in bubble wrap and placed in a larger box for shipping.  I hope they all make it to my family in California.

Many thanks to the people of Creative Paradise Glass!  I was able to bounce ideas off of them and receive very positive critical feedback on how to solve my eruption issues. They also helped me determine that my kiln may be running 25-30 degrees hotter at the highest temps.

Now to the schedules:

Fusing Schedule

Step Ramp Target Hold Notes
1 275 1100 15 Initial ramp and soak
2 100 1200 60 Beginning of bubble squeeze with plenty of time to do it.
3 50 1230 40 Slow ramp up to end of bubble squeeze
4 275 1430 5 I was going to 1450, but my kiln runs a bit hot. Your mileage may vary.
5 FULL 950 60 Annealing the glass. My kiln takes about half an hour to drop to this temp. No need to crash the temp.
6 80 750 10 Nice and slow.
7 300 120 0 We pick up speed here, but I think below 650 my temps are much slower than 300 degrees per hour.

Slumping Schedule:
Step Ramp Target Hold Notes
1 150 300 15 Just getting warmed up.
2 200 1100 15 Soak it in. Speed kills, so let's not stress the glass into the slump mold.
3 150 1225 10 It turns out, I'm fairly well slumped at 1225 already. The 10 minute hold is to make sure the "foot" of the bowl is well seated. The poinsettia textures are on the outside of the bowl, so I wish to avoid any wobbling of the bowl when it is used.
4 FULL 950 60 Same notes as fusing schedule.
5 80 750 10 &nbsp
6 300 120 0 DON'T YOU DARE OPEN THIS ANY SOONER THAN 120. (that message is for me. It seems the last 30-degrees of the schedule takes an hour or more and I'm impatient.)

Tuesday, July 26, 2011

Honey, Where's Our Elephant?

Pantry Scavenger Hunt

"Where's the Mac-n-Cheese?" I ask.

"In the pantry," she replies.

"What shelf? I don't see it!"

"Second shelf, right up front," she calls out from the next room.

I give up after searching for a couple of minutes. Damn thing is larger than a shoe box. If it's in there, I can't find it. We must be out. "We must be out. I can't find it."

"I just bought some. It's in there."

Her tone is changing. I'll defuse it. "Don't worry about it. I'll make something else." That should be fine. No need to get up. Pappa's in the kitchen and he's got it all under control.

I was in the process of starting up something else when there's a thud on the counter. I turn around and there's my wife, wide-eyed, silent and staring at me. There's a large box of Mac-n-Cheese on the counter.

"Uh, where'd you find it?" I ask.

"Right up front, where I said it was," and she leaves.

How is she so good at hiding things?

Monday, July 25, 2011

You Know You Want To

I'm thinking alligator

I don't care what you think it is, but I'm from Louisiana. I'm thinking that anyone around here with less than the usual number of fingers, toes, or appendages were dared to "Pet It!"

Either that, or this person runs an Information Technology department for very well organized chihuahuas.

Friday, July 22, 2011

Baby's In Black and I'm Feelin' Blue (NSFW)

Antique Shopping

I love antiquing. You never know what you will find. Here's a beaut that would look good in my man-cave. Only $250! It's a steal at twice the price. If only I had a man cave to hang her in a place where my fellow cavemen could come in and feel how smooth the velvet is...

And ridicule me for buying something I'd have to constantly dust.

Thursday, July 21, 2011


Who's going to fall for this one?

Saw this one near the office. Apparently this homeowner doesn't want to be bothered to hold a spot by putting an orange cone in the street; as many homeowners around the university do. A more pedestrian approach (by the student houses) is to put a chair or inverted trashcan in the street. But a FAKE handicap sign on a SPINDLY STICK?

This must have taken some thought. "I'll put up a sign to keep people from parking in front of my house. I'll purchase a sign. I'll put it on a FRIGGIN STICK and that'll convince people of its authenticity.


I'm not put out by this sign. I don't park this far away from the university. But, as Jacob Marley said "Mankind was my business! Their common welfare was my business!" I should pull it up to keep the bully homeowners from staking out what is not rightfully theirs.

Then again, its common to get your tires slashed by people as arrogant and ignorant as this one.

Tuesday, July 19, 2011

The Essence Of Soul

When I get to heaven

What were they looking for with this sign? Is this an existential component of my soul? Is it a music reference?

I think it's a culture reference.

What is soul? It's a feeling; it's a way of thinking; it's music that speaks to a culture; it's a train bringing all the best in Mo-Town music. It's all this and more. And you know what? It's animals too.

Except for that duck. He ain't soul. He's just too damned goofy.

Monday, May 23, 2011

Daddy is Being Big Meanie

If you can't beat 'em...

Child 3 (aka the "Caboose") asked me "Daddy, what are you doing tomorrow?"

I replied, earnestly and honestly "Nothing."

Hearing what she wanted to hear, she began "Then lets go to..." as I cut her off.

"Child," I said, "I don't think you understand what I said.

Apparently, children don't believe that their parents could actually want to do nothing all Sunday. I found the note left on the patio this morning. She's so cute. I printed it out and left it on the fridge next to the other art projects (now Mrs. Bayou thinks I'm "being big meanie" too).

I'm left with one question regarding "Daddy is being big meanie". Am I "a" big meanie, or "the" big meanie?